Two Characters & Several Decades

It has come to my attention that at least two of my friends feel there is a recent movie out (on cable) in which the lead character reminds them of me. Before I reveal which contemporary film has led them to that comparison, I want to tell a much older but similar story.

Back in the late 80s I was at a party with my 'L.A. family,' all the usual suspects were there. I discussion of favorite movies came up and I guess I mentioned The Big Chill, to which someone responded: "Well, of course you like that movie, William Hurt played you." I remember objecting to that comparison while the chorus of agreement grew on the other side. I countered with the age disparity and someone suggested I was probably more like the character of Nick when I was younger.

Sure I could vindicate myself, I picked up a nearby phone and called my best friend from the 70s. We hadn't spoken in over ten years (well before The Big Chill was released), I was sure Lee would save me. Valerie got on the extension to verify I did not lobby for a favorable result. The conversation went like this:

"Lee! It's Tim.

"Tim, wow it's been a long time."

"Hey Lee, I'll call tomorrow and we can catch up, but I have a herd of people here who are disparaging my character. I need to ask you a question."

"Go for it, I'll save you buddy."

"OK, I assume you've seen The Big Chill."

"Oh, you mean the film where William Hurt played you..."

OK, let me admit it again as I did that day long ago. (Apparently) I had some similarities to the character of Nick in The Big Chill as played by William Hurt. By the way he followed up that role with his Academy Award winning portrayal of Luis Molina in Kiss of the Spider Woman.

Now to the current film. Also apparently, I seem to share some lifestyle characteristics with the George Clooney character in Up In The Air. I saw the film again last night, I think I have distilled the similarities to this one scene. The Clooney character is discussing love and relationships or the lack thereof with his female protege. She is pro-love naturally and he not so much. The scene finishes with this dialog.

"Do you know that moment when you look into somebody's eyes and you can feel them staring into your soul and the whole world goes quiet?"

"Yes!"

"Well, I don't."


I think this time I shall not argue with the cinematic homology.

Star 80

I 've had this post lingering in the queue for several months or more. Then last night it came up again "the scariest movie I have ever seen was . . . " For me the scariest film  is derived from the scariest character ever. If you have seen Star 80 you probably agree with me and very possibly you are not going to finish reading this post because you don't want to be reminded.

Star 80 is the story of Playboy playmate of the year (1979) Dorothy Stratten, played in the movie by Mariel Hemingway. Eric Roberts plays her boyfriend and low life Svengali. The story plays out in Hollywood and in particular at the Playboy Mansion. It ends when Paul Snider (the real life character) murders the real Dorothy Stratten and then kills himself. Now the story itself is not that unusual. What is compelling is acting of Eric Roberts.

If you have ever known a person, probably a man, who could literally go from love to hate in an instant, then you know Paul Snider. The mercurial explosions of anger, hate and the fear such behavior engenders has never been depicted as frighteningly as it is in Star 80.

The film came out in 1983, it was not a big success; too close to the truth apparently. But still today Roberts is often asked about the film and finds people still reacting to the brilliant fearfulness of this character.

I highly recommend the film and I strongly suggest you see it with the lights on.

Atlas Shrugged

There are two novels that can change a bookish fourteen-year old's life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs. 

Please excuse the lame, stale joke set-up but you gotta love the punch line. If you remember I wrote a post about six weeks ago on the subject of the 100 Best Novels; I was shocked and a touch dismayed to find the reader's poll portion of that survey topped by Atlas Shrugged. In fact the top ten reader's choice novels included four Ayn Rand books, three L. Ron Hubbard pieces of gibberish plus To Kill a Mockingbird, 1984 and, of course, The Lord of the Rings.


I stumbled on the quote/joke the same day I heard that several independent film makers have actually banned together and have filmed what they intent to become the Atlas Shrugged trilogy, well at least part I. Paul Johansson is directing and playing the lead as John Galt, which conjures images of Dancing With Wolves. Part I of AS is scheduled for release in 2011.


For years Hollywood has looked for a way to bring Atlas Shrugged to the big screen, thankfully if it was going to happen at least it is being done my independent filmmakers rather than a big studio. I really don't expect much from the attempt, remember the several attempts to make Dune into a motion picture. There is a theme to both Atlas Shrugged and The Fountainhead but will it really take two hours or six to delivered the singular idea that it's everyone for themselves?


Hmm, maybe I am wrong here, big Hollywood studios are really good at taking two hours to make one obvious statement. But enough pummeling on individualism, truth, justice and the Amerikan way as depicted by Hollywood.


I am looking out on a stunning orange sky over the SF Bay and the Pacific beyond. I would like to remind my bay area friends that anyone with a good camera and a decent lens or two is welcome to come by over the next month or so, the sunset is slowly creeping towards the Golden Gate and I would really like to have some decent pictures to share here. I will buy dinner, you like Thai?






--
opening quote found on kfmonkey.blogs

Movie Review: Avatar

There are simply some movies that should be seen on a big screen. Then there are a few films that must be seen on IMAX. I mean is there a single Woody Allen movie that doesn't play just fine at 31 inches diagonally? But Avatar is at the other end of the spectrum, so the consensus review from down here in Austin is:

-we are glad we saw it;

-very happy we stood in the sold out line at the IMAX;

-agree that the special effects and cgi were at the current limits of movie-making production;

-story? Oh right. Redemption plot #6, good vs. evil version #4, and man versus nature #2;

-it would have made a much better two hour movie;

Then there is the matter of direct rip-offs of other movies:

-Alien, of course; but didn't Sigourney look good in blue-green!

-Dances With Wolves; only the really anthropologically corny parts.

-The Mission; the entire story is there and told with a much less heavy hand;

-32 animated dragon fantasy films, none of us have seen.

-Gorillas in the Mist or did you miss the shots of her with the little blue kids.

-Lord of the Rings, if only for how to put ten of thousands too many bullets, arrows, spears and explosions in an otherwise entertaining movie.

-Emerald Forest, well because they did it first.

The floating mountains reminded me of several Yes albums and the glowing forests, that's what windowpane is for.

Here's hoping James Cameron sticks to one movie every decade, in the meantime he can learn the meaning of the word - edit. However, and this is a big however, I am sure the concept of 3-D films in the future will owe a lot of thanks to what Cameron did with Avatar.

A Late Night Double Feature Picture Show

The darkness must go down the river of nights dreaming

Flow morphia slow, let the sun and light come streaming

Into my life, into my life.

There's a light over at the Frankenstein Place

There's a light burning in the fireplace

There's a light, light in the darkness of everybody's life.

Thirty-three years ago, on a wet winter's eve at the Bijou in Hermosa Beach. She simply said I had to see this film and she was to taking me; nothing more was offered nor needed. I suppose there are people who find Rocky actually dark, not campy dark or artsy dark but dark dark. I have no truck with such humanoids but for the rest. . . It's just a jump to the left.

On a personal, but widely unremembered bit of trivia. This was not Susan Sarandon's first film role. She was by this time a 25 year old veteran actor, having appeared in several movies and some television, including a role on Search for Tomorrow. Her debut, was at nineteen, as the young hippy, drug-addict daughter of the killer in Joe (1970). Joe being the break-through performance for Peter Boyle.

But enough of that, back to the dark...

Eddie's Teddy

From the day he was born, he was trouble.

He was the thorn in his mother's side.

She tried in vain, but he never caused her nothing but shame.

He left home the day she died...

From the day she was gone, all he wanted

Was rock'n'roll, porn and a motorbike

Shooting up junk

He was a low-down, cheap little punk.

Taking everyone for a ride...

Rocky Horror Picture Show Official Fan Site.

Rocky Radio

Time Warp UK Fan Site

Audience Participation Scripts and other alluvium

Largest RHPS site with pics, audio, whatever

---

photo: Meatloaf as Eddie

Movies of My Life

“You can map your life through your favorite movies, and no two people's maps will be the same.” - - - - - - - - Mary Schmich

To enjoy this little motion picture distraction, it helps to have been raised in a movie saturated culture with the means and leisure to indulge such celluloid fantasies. But I will leave the sociological observations at that and wander down my own particular Movies of My Life.

A couple of disclosures: I was not a movie fan as a kid, it just wasn't something that interested me. In high school movies were for dates and the object of the date was not primarily to enjoy the movie. I do remember in the summer before my senior year in high school going to the art theatre in Ann Arbor to see David and Lisa. I remember this because we had to leave early, the guy I was double dating with thought people speaking in poetry was .... well not something he understood. It was several years before I saw the movie again and remembered how different the use of cinema had been in that picture. Twas my first introduction to movie as art.

My further disclosures: Dialogue is paramount for me, followed by images and music. There just aren't enough stories to really make a difference. You know: the Hero, the Jesus story, Buddies films etc. I also am not a big actor and actress fan. I dislike and avoid movies based on the cast a lot more often than I go to one because of an actor. Yes, I had my Woody Allen phase and Martin Scorsese is brilliant. Finally, I lived in L.A. for fifteen years (1975-1990) and more than willingly got into the movie mania of that city. Since L.A. I have drifted very far away from motion pictures, mostly due to cable television; the last seven pictures I have seen in a theatre are: 3 Lord of the Rings and 4 Harry Potters.

So then My List, in some sort of semi-chronological order or not:

David and Lisa (1963) because it was the first, even though I didn't get it for several years.

Fantasia (1940/seen by me in 1969) I am sure I saw this on television on a Sunday night Wonderful World of Disney before I got to see it on the big screen. I really don't know if the rumors about Uncle Walt doing LSD are true or not, but many, many tens of thousands of moviegoers equate Fantasia with some really awesome trips. Count me among them.

The Graduate (1967) One of the most significant Hollywood movies of its time and pictorial placeholder for the Boomer Generation. There was the whole Simon and Garfunkel soundtrack story. The Buck Henry screenplay and my first coyote-Mrs. Robinson. Plus the emergence of Dustin Hoffman was made even more stunning by his next film...

Midnight Cowboy (1969) If The Graduate was the dark side glossed over, then Midnight Cowboy was the dark side without edits and the Ratso character played by Hoffman stood in stark contrast to Benjamin Braddock from The Graduate. By the way, Midnight Cowboy was the first and only X-rated film to win the Oscar for best picture.


A Clockwork Orange (1971) The last X-rated film to be nominated for best picture. And yes "X" meant something very different 30+ years ago. Stanley Kubrick had come a long way from 2001: A Space Odyssey in 1968. 2001 does not make my list, but I am not sure why not.

Willy Wonka and the Chocolate Factory (1971) With apologies to Johnny Depp, who I really like, but in this case the remake had no chance against the sheer brilliance of Gene Wilder in the original. Now that I look at my list it appears this may be the only "children's film" or fantasy to endure my personal test of time. Unless of course, you count the Lord of the Rings Trilogy which was brilliant even with the exaggeration of the war and violence plus the unfortunate loss of Tom Bombadil & Goldberry.

Harold and Maude (1971) The (year) on this list is when the movie was released, I am not really sure how many I saw when they first came out, probably most of them. Harold and Maude just had, well, Harold and Maude, and darkness and Cat Stevens before he found his faith.

La Grand Illusion (1937) OK, I am fairly sure I did not see this one when it first came out, but it was my first introduction to "foreign films" and I still remember the night in Cambridge where I saw this Jean Renoir classic.

Rocky Horror Picture Show (1975) Knew nothing about it, saw it in Hermosa Beach with someone I love and with the RHPS onstage cast, whose name I cannot recall (the cast not the lover) and well it was at a late night, double feature picture show.


Annie Hall (1977) I moved this up from the "other" list. It was really a seminal film and deserves to be in my life changing list, even if it does not stand up to what Woody Allen has done to his reputation.

The Deer Hunter (1978) Was the second Vietnam film of 1978, the first was Coming Home with Jane Fonda. The Deer Hunter had DeNiro, Walken, Streep and Michael Cimino and was a break-through picture about how we as a society would deal with the destruction that Vietnam caused at home to those who served, those who opposed and every one who suffered the ultimate loss.

Welcome to L.A. (1978) The most profoundly affecting movie I have ever experienced. This is not a recommendation, as most people who have seen it, really hate it. But I had a unique experience with this film and it has stayed with me for thirty years. Cast includes: Sissy Spacek, Keith Carradine, Sally Kellerman, Geraldine Chaplin, Harvey Keitel, Lauren Hutton, Richard Baskin, Denver Pyle. Robert Altman produced the film.

Apocalypse Now (1979) This was my favorite movie ever the first time I saw it and has never left the top of my list in thirty years. The original version not the Director's Cut. The struggle between Coppola and Brando both on and off the screen created this epic film about war on the other side of the universe.

Raging Bull (1980) Yes indeed this may be technically the best picture ever made. I loved it the first time I saw it and have never been able to sit through it again.

Reds (1981) A film that defined my primary relationship of the 80's. Again a story for another blog.

Blade Runner (1982/1997) In this case the classic film is much better in the Director's Cut, but either version is head and shoulders above any other near post apocalypse movie. The darkness and the rain just lock you into the lowest vision of humanity.

The Big Chill (1983) Yes, true movie snobs know that The Return of the Secaucus Seven is the more radical and militant version but the Big Chill struck a perfect note in the late sixties edition of my generation. Also many of my friends from the 70s & 80s claim the William Hurt character is me, an observation that I protest and resemble.

The Hunger (1983) and White Palace (1990) and The Tempest (1982) and Atlantic City (1980) and, of course, The Rocky Horror Picture Show (1975). You do know who these films have in common right? Of these, the sleeper is The Hunger with one of the most erotic scenes ever filmed.

Brazil (1985) Terry Gilliam's masterpiece. You love it or you hate it. I would have no problem if Time Bandits or the Life of Brian was more to your taste.

Dreams (1990) I did see this one on opening day, in fact, I saw the first showing in Los Angeles by complete seredipity. Still one of those "days to remember" with Jimmy & Audrey but that is another blog for another day. Akira Kurosawa directed, wrote and dreamt the film. I don't know how it holds up today, I have never wanted to see it again; don't want that memory disturbed in any way.

Notting Hill (1999/seen my me in 2006) I know-what the fuck is this doing on my list?! Well other than delivering one of my favorite movie lines ever: "What is love without a violin playing goat." This movie also defines another of my ill-starred relationships with just a girl.


Also:

The Hustler (1961)

A Thousand Clowns (1965)
King of Hearts (1966)

Bonnie & Clyde (1967)

The Lion in Winter (1968)
The Wild Bunch (1969)
M*A*S*H (1970)

Straw Dogs (1971)

One Flew Over the Cuckoo's Nest (1975)
The Last Waltz (1978)
Das Boot (1981)
Koyaanisqatsi (1982)
Star 80 (1983)
Once Upon a Time in America (1984)
Jean de Florette (1986)
Raising Arizona (1987)
Mindwalk (1990)
Philadelphia (1993)
Pulp Fiction (1994)
Fargo (1996)
The Big Lebowski (1998)
The Fellowship of the Ring (2001)
The Two Towers (2002)
The Return of the King (2003)
Kill Bill Vol. 1 (2003)

I reserve the right to add additional films in the future, particularly if they wake me in the middle of the night with a Doh!